The Big Screen: Special Effects with the Aid of Absolute Draw-Wire Encoders

Precise and authentic movements thanks to SIKO draw-wire encoders in the hydraulic cylinder: 12-meter boat deck in ‘Fantastic Beasts’.

Draw-wire encoders from SIKO GmbH, a manufacturer of sensors and positioning systems, are used by the British company Absolute MoCo, which develops and builds hydraulic studio environments for special effects in movie productions. Contactless magnetic sensing plays a key role in enabling some of the spectacular effects.

Together with his partner David Watkins, Special Effects Supervisor at Absolute Effects, Andy Ryan wanted to be able to create movements for special effects in the movie industry that are more accurate and more authentic. For him, the technical effects available in the UK for this purpose were outdated. The aim of Absolute MoCo is to enable people to move more precisely and safely in film scenes. “We specialize in creating the conditions for motion control of certain motion sequences in movies with moving base platforms and in sets. We act as a link between VFX and the physical world and have developed a reliable HMI and software package for movie production. For some filming we still use open loop systems, but we mainly prefer systems with a closed control circuit to guarantee positioning and reliability, which are crucial in movie production today. Using absolute encoders from SIKO gives us the opportunity to repeat takes as often as we like. This means that we can work safely, stop safely and identify positions at any time. This technology has catapulted the physical side of special effects to a new level and is getting better all the time.”

Wire-actuated encoders integrated into the hydraulic cylinder
Hydraulic movements are a particular challenge if they are to appear natural and still be safe to perform physically. Various SIKO draw-wire encoders are used here to determine the position of the hydraulic cylinders. All the encoder types have in common a design that is both robust and compact, making them suitable for the smallest spaces. The SGH10 draw-wire encoder, which was used, for example, in scenes for the Warner Brothers production ‘Fantastic Beasts: The Crimes of Grindelwald’, has a distinctive, patented feature: it is integrated directly into the hydraulic cylinder and measures the position – i.e. the extension of the cylinder – directly. The advantages: the integrated design means that the draw-wire encoder is protected from external factors. There is also no need to drill out the piston to accommodate the draw-wire encoder, as is the case with other solutions such as those with magnetostrictive sensors. An additional work step of this kind is also a cost factor, which is avoided by using integrated draw-wire encoders.

The compact SG10 (orange), SGH10 and SG20 draw-wire encoders. Both the SGH10 and SG20 use contactless magnetic sensing. The magnets used to measure the rotation are scanned by the sensor through the pressure-resistant base plate.

Detection of position and speed

During a rescue scene in which a fully occupied boat had to be tossed to and fro as authentically as possible on the high seas, three movement axes were involved that had to be hydraulically driven (Trio Motion Technology), plus a rotational movement as a fourth, which was enabled by the integrated SIKO draw-wire encoder. Andy Ryan: “This enabled us to create a line from the visual effects to the Maya special effects platform and to perform the movement in any direction while staying within the viewing angle of the camera. A further advantage of the SGH10 is evident in dynamic applications such as this, where multiple cylinders on the platform must be moved synchronously: In addition to position, the draw-wire encoder can also measure speed, so allowing the cylinders to be extended at the same speed and to run in parallel.

Safe movement sequences

The SGH10 integrated draw-wire encoder was also used in the special effects for the movie ‘Midnight Sky’. In the communications room of the space ship, the leading character Sully must move on a chair both sideways and vertically to various control buttons; the chair was positioned on a hydraulic cylinder fitted with the integrated SGH10 measurement system, which determined the height and travel speed. This ensured the safety of the actor, and the movement was smooth. Since the space on the floor below the chair was very restricted, the encoder type integrated into the cylinder was chosen as the best solution. “Space restrictions are the rule rather than the exception in our projects,” confirms Andy Ryan, “and so we often turn to SIKO’s compact draw-wire encoders. Our team also appreciates the variety of the measurements, as the encoders can detect both linear and rotational movements. This opens up a wide range of applications.”

Filming for ‘Murder on the Orient Express’: Wire-actuated encoder application from SIKO

Externally mounted draw-wire encoders

As well as sensor types integrated into the cylinder, SIKO also offers externally mounted sensors, which are also used by Absolute MoCo in particular situations. These include the SG 10 and SG 20 (highly compact external draw-wire encoders with a maximum measurement length of 2000 mm). If, say, the base structure is already in place, these draw-wire encoders can be retrofitted. This considerably reduces the effort and outlay for construction. For Ryan, an important factor in complex hydraulic ramps is the option to replace sensors: “If a mechanical problem occurs and the sensor perhaps fails, it is significantly easier to replace an external draw-wire encoder than to have to dismantle the entire ramp to replace a sensor that is integrated into the cylinder. The time saving is crucial here.” In these situations, the team prefers a solution with external encoders.

Easy to integrate

Absolute MoCo does not build the cylinders itself, but rather has them constructed by a supplier to its own specifications and designs, including integration of SIKO draw-wire encoders. The highest priority is the safety of all functions. Including the draw-wire encoders, either integrated or external, is straightforward, and this is also the case at the commissioning stage. Andy Ryan explains: “We have a separate movement control system with different interfaces and were delighted that the draw-wire encoders were ready to operate straight away, even with our own interface. You just connect them and off you go. The manuals and accompanying documentation from SIKO are also very helpful.”
Absolute MoCo is currently involved until Christmas in producing a movie for Marvel Studios. “This time we will try to push the boundaries with our hydraulic effects,” Ryan emphasizes. “And of course, we’ll be using SIKO draw-wire encoders again.”

Article By Michaela Wassenberg, freelance journalist with Wassenberg Public Relations.